Shall I choose number ...?

1.Under the Dome: A Novel by Stephen King
from Publishers Weekly
King's return to supernatural horror is uncomfortably bulky, formidably complex and irresistibly compelling. When the small town of Chester's Mill, Maine, is surrounded by an invisible force field, the people inside must exert themselves to survive. The situation deteriorates rapidly due to the dome's ecological effects and the machinations of Big Jim Rennie, an obscenely sanctimonious local politician and drug lord who likes the idea of having an isolated populace to dominate. Opposing him are footloose Iraq veteran Dale “Barbie” Barbara, newspaper editor Julia Shumway, a gaggle of teen skateboarders and others who want to solve the riddle of the dome. King handles the huge cast of characters masterfully but ruthlessly, forcing them to live (or not) with the consequences of hasty decisions. Readers will recognize themes and images from King's earlier fiction, and while this novel doesn't have the moral weight of, say, The Stand, nevertheless, it's a nonstop thrill ride as well as a disturbing, moving meditation on our capacity for good and evil. (Nov.)
2. The Moonstone by Wilkie Collins
"The first and greatest of English detective novels."
--T. S. Eliot – Review
3. The Robber Bride by Margaret Atwood
From Library Journal
Petite Tony teaches the agressively male subject of military history and has a talent for speaking backwards; actually, she's Ynot. Charis eats only vegetarian fare and consults crystals. Boisterous, stylish Roz runs her own company and drives a BMW. These three women would seem to have little in common, but they're held together by a single thread: Zenia, a lying, charismatic femme fatale who at one time or other stole the men in their lives. But Zenia is dead, blown to bits in Beirut, and can hurt them no more. Or so they think until the day a still-seductive Zenia walks into the restaurant where they are having lunch. As in Cat's Eye ( LJ 2/1/89), Atwood takes feminism one step further, showing women as victims not only of society but of themselves. Her book is daring, richly detailed, and compulsively readable. Indeed, some readers might find it too readable; at times it feels a bit trashier than something you would expect from Atwood. In addition, while Zenia is a fascinating absence at the novel's center, she seems too bad to be true. Nevertheless, Atwood is always good reading.
- Barbara Hoffert, "Library Journal

4. Middlesex by Jeffrey Eugenides
Amazon.com Review
"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974." And so begins Middlesex, the mesmerizing saga of a near-mythic Greek American family and the "roller-coaster ride of a single gene through time." The odd but utterly believable story of Cal Stephanides, and how this 41-year-old hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides, whose elegant and haunting 1993 debut, The Virgin Suicides, remains one of the finest first novels of recent memory.
Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family history, from a fateful incestuous union in a small town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent love story to modern-day Berlin. Eugenides's command of the narrative is astonishing. He balances Cal/Callie's shifting voices convincingly, spinning this strange and often unsettling story with intelligence, insight, and generous amounts of humor:
Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." … I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
When you get to the end of this splendorous book, when you suddenly realize that after hundreds of pages you have only a few more left to turn over, you'll experience a quick pang of regret knowing that your time with Cal is coming to a close, and you may even resist finishing it--putting it aside for an hour or two, or maybe overnight--just so that this wondrous, magical novel might never end. --Brad Thomas Parsons

5. Life of Pi by Yann Martel
From Publishers Weekly
A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement "a story that will make you believe in God," as one character says. The peripatetic Pi (ne the much-taunted Piscine) Patel spends a beguiling boyhood in Pondicherry, India, as the son of a zookeeper. Growing up beside the wild beasts, Pi gathers an encyclopedic knowledge of the animal world. His curious mind also makes the leap from his native Hinduism to Christianity and Islam, all three of which he practices with joyous abandon. In his 16th year, Pi sets sail with his family and some of their menagerie to start a new life in Canada. Halfway to Midway Island, the ship sinks into the Pacific, leaving Pi stranded on a life raft with a hyena, an orangutan, an injured zebra and a 450-pound Bengal tiger named Richard Parker. After the beast dispatches the others, Pi is left to survive for 227 days with his large feline companion on the 26-foot-long raft, using all his knowledge, wits and faith to keep himself alive. The scenes flow together effortlessly, and the sharp observations of the young narrator keep the tale brisk and engaging. Martel's potentially unbelievable plot line soon demolishes the reader's defenses, cleverly set up by events of young Pi's life that almost naturally lead to his biggest ordeal. This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction. In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master.


6. Methland: The Death and Life of an American Small Town by Reding       
From Publishers Weekly
Using what he calls a "live-in reporting strategy," Reding's chronicle of a small-town crystal meth epidemic-about "the death of a way of life as much as... about the birth of a drug"-revolves around tiny Oelwein, Iowa, a 6,000-resident farming town nearly destroyed by the one-two punch of Big Agriculture modernization and skyrocketing meth production. Reding's wide cast of characters includes a family doctor, the man "in the best possible position from which to observe the meth phenomenon"; an addict who blew up his mother's house while cooking the stuff; and Lori Arnold (sister of actor Tom Arnold) who, as a teenager, built an extensive and wildly profitable crank empire in Ottumwa, Iowa (not once, but twice). Reding is at his best relating the bizarre, violent and disturbing stories from four years of research; heftier topics like big business and globalization, although fascinating, seem just out of Reding's weight class. A fascinating read for those with the stomach for it, Reding's unflinching look at a drug's rampage through the heartland stands out in an increasingly crowded field.
7. The House at Riverton: A Novel by Kate Morton
From Publishers Weekly Starred Review. This debut page-turner from Australian Morton recounts the crumbling of a prominent British family as seen through the eyes of one of its servants. At 14, Grace Reeves leaves home to work for her mother's former employers at Riverton House. She is the same age as Hannah, the headstrong middle child who visits her uncle, Lord Ashbury, at Riverton House with her siblings Emmeline and David. Fascinated, Grace observes their comings and goings and, as an invisible maid, is privy to the secrets she will spend a lifetime pretending to forget. But when a filmmaker working on a movie about the family contacts a 98-year-old Grace to fact-check particulars, the memories come swirling back. The plot largely revolves around sisters Hannah and Emmeline, who were present when a family friend, the young poet R.S. Hunter, allegedly committed suicide at Riverton. Grace hints throughout the narrative that no one knows the real story, and as she chronicles Hannah's schemes to have her own life and the curdling of younger Emmeline's jealousy, the truth about the poet's death is revealed. Morton triumphs with a riveting plot, a touching but tense love story and a haunting ending. (Apr.)

8. The Forgotten Garden: A Novel by Kate Morton
  Like Frances Hodgson Burnett's beloved classic, Kate Morton's The Forgotten Garden takes root in your imagination and grows into something enchanting--from a little girl with no memories left alone on a ship to Australia, to a fog-soaked London river bend where orphans comfort themselves with stories of Jack the Ripper, to a Cornish sea heaving against wind-whipped cliffs, crowned by an airless manor house where an overgrown hedge maze ends in the walled garden of a cottage left to rot. This hidden bit of earth revives barren hearts, while the mysterious Authoress's fairy tales (every bit as magical and sinister as Grimm's) whisper truths and ignite the imaginary lives of children. As Morton draws you through a thicket of secrets that spans generations, her story could cross into fairy tale territory if her characters weren't clothed in such complex flesh, their judgment blurred by the heady stench of emotions (envy, lust, pride, love) that furtively flourished in the glasshouse of Edwardian society. While most ache for a spotless mind's eternal sunshine, the Authoress meets the past as "a cruel mistress with whom we must all learn to dance," and her stories gift children with this vital muscle memory.

9. Have Mercy on Us All: A Novel (Chief Inspector Adamsberg Mysteries)
Fred Vargas
From Publishers Weekly
A bestseller in France, Vargas's U.S. debut presents a riveting blend of biothriller and historical cryptology: it takes a close look at the threat of bubonic plague to modern-day Paris. Joss Le Guern is a merchant seaman who, following the wreck of his ship and the end of his career, has strung an improvised mailbox onto a tree and taken to reading aloud local news left for him there thrice daily in the streets of Paris; he sees himself as a modern town crier. When odd, apocalyptic warnings begin coming in regularly, intrigued listener Hervé Decambrais does some research and finds they match medieval texts that predicted the coming of the Black Death. Meanwhile, backward 4s begin appearing on apartment doors. At first, Chief Inspector Adamsberg (a comically forgetful, yet thoughtful and decisive character) and his deputy dismiss the markings as graffiti, but when they discover that the symbol was once used in parts of Europe to protect people against the plague and correlate with Joss's reports, the detective work intensifies—though not fast enough. This exciting and careful whodunit is well-executed, page-turning crime fiction—until its surprise but somewhat anticlimactic ending. (Nov. 3)


10. Still Life: A Chief Inspector Gamache Novel (Three Pines Mysteries) Louise Penny                                                                   Starred Review. Canadian Penny's terrific first novel, which was the runner-up for the CWA's Debut Dagger Award in 2004, introduces Armand Gamache of the Sûreté du Québec. When the body of Jane Neal, a middle-aged artist, is found near a woodland trail used by deer hunters outside the village of Three Pines, it appears she's the victim of a hunting accident. Summoned to the scene, Gamache, an appealingly competent senior homicide investigator, soon determines that the woman was most likely murdered. Like a virtuoso, Penny plays a complex variation on the theme of the clue hidden in plain sight. She deftly uses the bilingual, bicultural aspect of Quebecois life as well as arcane aspects of archery and art to deepen her narrative. Memorable characters include Jane; Jane's shallow niece, Yolande; and a delightful gay couple, Olivier and Gabri. Filled with unexpected insights, this winning traditional mystery sets a solid foundation for future entries in the series.